{"id":138,"date":"2017-05-21T13:04:16","date_gmt":"2017-05-21T11:04:16","guid":{"rendered":"http:\/\/muzeumintermedii.sk\/?p=138"},"modified":"2022-01-29T13:44:10","modified_gmt":"2022-01-29T12:44:10","slug":"bez-nazvu-1996","status":"publish","type":"post","link":"https:\/\/muzeumintermedii.sk\/en\/bez-nazvu-1996\/","title":{"rendered":"Denisa Lehock\u00e1 – Untitled, 1996"},"content":{"rendered":"

Denisa Lehock\u00e1 (*1971)
\n<\/strong>Untitled, 1996<\/strong><\/p>\n

installation, variable dimensions
\nacquired by purchasing from the author in 1996<\/p>\n

The installation was created for the exhibition space of the Museum of Art \u017dilina within the curatorial project\u00a0Paradigm Woman\u00a0in 1996. It was the first project that responded to the distinctive emergence of female artists\u00a0who worked within the intents\u00a0of postfeminism, aiming to highlight the different nuances of its expressive means.<\/p>\n

The language of the author, who primarily creates installations and objects, defines the principle of abstraction, emphasizing the semantics of the words she chooses. The theme of her works in the nineties revolved around everyday private situations that Lehock\u00e1 embodied in the form of visual diaries. This principle is also the basis of the presented installation Untitled<\/em>. The laminated drawings depicting the intimacy of a\u00a0couple are complemented by authentic and artificial objects that refer to the corporeality of the protagonists in different situations, capturing their relationship. The intimacy of privacy is highlighted even further by the use flesh and pink tones along with terrycloth fabric.<\/p>\n