The Museum of Art \u017dilina, the first of the museums of art operating in the region (also in Slovakia in 90\u00b4s), established the collection of intermedia, following a primary effort to preserve the artworks created in the nineties, documenting and depositing them through a specific methodology that was quite challenging for a regional museum of art and its possibilities. The birth and existence of the intermedia collection of the museum are strongly related to the work of Katar\u00edna Rusn\u00e1kov\u00e1 (director of the Museum of Art \u017dilina between 1992 and 1997) and Radislav Matu\u0161t\u00edk (chief curator of the museum between 1992 and 1996). Even today \u2013 the decision to create the collection is seen as a great leap.<\/p>\n
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During the first five years of its operation (1992 \u2013 1997) \u2013 the core period in terms of the volume of collected works \u2013 The Museum of art was able to build a collection of intermedia art of an exceptional extent. Since 2006 it is continuously updated with the works of other authors to include pieces that represent the different forms and peculiarities of intermedia and media art in the new millenium. Today, this acquisition strategy allows for creating not only collections of such forms of art but also their arrangement in different thematic wholes.<\/p>\n
A thematic construct appears to be an ideal model for The First Museum of Intermedia. The form of the exhibited artworks is predetermined (intermedia including objects, installations, ready-mades, and various types of media art), and generally represent the model of neo-conceptual art and its variations after 1989. Thus, it reflects the lines and discourses of contemporary art with the aim to highlight their interconnectedness through the works of the nineties and the new millennium, as well as to (at least briefly) outline the development and different transformations of their perception by the authors. The intent to present the works from the intermedia collections is thematically supported by the area of the exposition, which, given the nature of the exhibited works (often larger pieces), is substantially limiting.<\/p>\n
The works in the exposition are the part from art collection administrated by Museum of Art in \u017dilina (founder \u017dilina self \u2013 governing region)<\/p>\n
Supported using public founding by Slovak Arts Council<\/strong> The First Museum of Intermedia III (2021 \u2013 )<\/strong> Authors of works:<\/strong> Exhibition concept and Curator:<\/strong> Read more<\/a><\/span><\/p>\n<\/div>\n The First Museum of Intermedia II SATELLITE (2018 \u2013 2019)<\/strong> Authors of works:<\/strong> Exhibition concept and curator<\/strong> First Museum of Intermedia II \u2013 Satellite is an extended presentation of artists\u2019 works from the gallery permanent display. It extends the presentation of an artist\u2019s work by introducing another work that corresponds with the focus of the display of intermedia art and its current theme. This is achieved through ongoing updates of the exhibited installations, objects and video works from the collection of Museum of Art in \u017dilina.<\/p>\n Read more<\/a><\/span><\/p>\n<\/div>\n<\/div>\n The First Museum of Intermedia II (2017 \u2013 2021)<\/strong> Authors of works:<\/strong> Exhibition concept and Curator:<\/strong> The sequel to The First Museum of Intermedia is a collection of works which (in addition to belonging to a predefined intermedia and media formats) reflect upon the phenomenon of memory as an issue highlighted especially in the art of the new millennium. To some extent, this is related to moving away from articulating themes (especially neo-conceptualism) through a rather universalist model, and vice versa \u2013 an inclination to individual languages, the nuances of which determine the themes based on local (Slovak) context.<\/p>\n Read more<\/a><\/span><\/p>\n<\/div>\n The First Museum of Intermedia I (2012 \u2013 2017)<\/strong> Authors of works:<\/strong> Exhibition concept and curator<\/strong> The selection of works in the first (pilot) phase of The First Museum of Intermedia presents the typical elements of art with a core in the ninethies, their connection with the culminating eighties, as well as their continuity in the new millennium. The exposition was an “initiation” into intermedia art, highlighting the onset of media art (especially videoart) during the period. In the nineties, the language of postmodern art manifests through the disappearance of borders between elite and mass culture, as well as through syncretic style.<\/p>\n Read more<\/a><\/span>\n<\/div>\n <\/p>","protected":false},"excerpt":{"rendered":" The First Museum of Intermedia is a long-term exposition of artworks selected from the collection of intermedia of the Museum of Art \u017dilina (particularly objects, installations and media art including… \u010c\u00edta\u0165 viac<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-parts\/homepage-template.php","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":280,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":1231,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/18\/revisions\/1231"}],"wp:attachment":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\n<\/p><\/div>\n![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2022\/03\/PMI_III.jpg\")
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The First Museum of Intermedia III<\/a><\/h2>\n
\nGentle force<\/p>\n
\nJana \u017delibsk\u00e1, Eva Filov\u00e1, Anetta Mona Chi\u015fa a Lucia Tk\u00e1\u010dov\u00e1, Gabika Binderov\u00e1, Lucia Dovi\u010d\u00e1kov\u00e1, Em\u00f6ke Vargov\u00e1, Dorota Sadovsk\u00e1, Veronika R\u00f3naiov\u00e1, Ladislav \u010carn\u00fd<\/p>\n
\nMira Sikorov\u00e1-Puti\u0161ov\u00e1<\/p>\n![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2022\/03\/684x475.jpg\")
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The First Museum of Intermedia II SATELLITE<\/a><\/h2>\n
\nBetween information and memory<\/p>\n
\nJuraj Bartusz, Anton \u010cierny, Ilona N\u00e9meth, Roman Ond\u00e1k, Peter R\u00f3nai, Stano Mas\u00e1r<\/p>\n
\nMira Sikorov\u00e1-Puti\u0161ov\u00e1<\/p>\n![\"\"](\"http:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/04\/intermedia203-684x475.jpg\")
<\/a><\/p>\nThe First Museum of Intermedia II<\/a><\/h2>\n
\nBetween information and memory<\/p>\n
\nJuraj Bartusz, Anton \u010cierny, Ilona N\u00e9meth, Roman Ond\u00e1k, Peter R\u00f3nai, Stano Mas\u00e1r<\/p>\n
\nMira Sikorov\u00e1-Puti\u0161ov\u00e1<\/p>\n![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2022\/03\/PMI_I_684X475.jpg\")
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The First Museum of Intermedia I<\/a><\/h2>\n
\nVersions of neo-conceptual art, gender, and corporality<\/p>\n
\nSimona Bub\u00e1nov\u00e1, Pavl\u00edna Fichta \u010cierna, Denisa Lehock\u00e1, Karol Pichler, Boris Ondrei\u010dka, Laco Teren, Jozef \u0160ramka, Jana \u017delibsk\u00e1<\/p>\n
\nMira Sikorov\u00e1-Puti\u0161ov\u00e1<\/p>\n