{"id":15,"date":"2017-04-09T15:13:18","date_gmt":"2017-04-09T13:13:18","guid":{"rendered":"http:\/\/muzeumintermedii.sk\/?page_id=15"},"modified":"2022-03-23T14:48:12","modified_gmt":"2022-03-23T13:48:12","slug":"prve-muzeum-intermedii-ii","status":"publish","type":"page","link":"https:\/\/muzeumintermedii.sk\/en\/prve-muzeum-intermedii-ii\/","title":{"rendered":"The First Museum of Intermedia II"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><strong>The First Museum of Intermedia II (2017 \u2013 2021)<\/strong><br \/>\nBetween information and memory<\/p>\n<p style=\"text-align: justify;\"><strong>Authors of works:<\/strong><br \/>\nJuraj Bartusz<br \/>\nAnton \u010cierny<br \/>\nIlona N\u00e9meth<br \/>\nRoman Ond\u00e1k<br \/>\nPeter R\u00f3nai<br \/>\nStano Mas\u00e1r<\/p>\n<p style=\"text-align: justify;\"><strong>Exhibition concept and Curator:<\/strong><br \/>\nMira Sikorov\u00e1-Puti\u0161ov\u00e1<\/p>\n<p style=\"text-align: justify;\"><strong>Architecture and Visual Design of Exhibition:<\/strong><br \/>\nMarcel Ben\u010d\u00edk<\/p>\n<p style=\"text-align: justify;\"><strong>Exhibition is supported using public funding by Slovak Arts Council<\/strong><br \/>\n<a href=\"http:\/\/www.fpu.sk\/sk\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-94\" src=\"http:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/04\/FPU_logo1_modre-300x112.jpg\" alt=\"\" width=\"188\" height=\"70\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">The sequel to The First Museum of Intermedia is a collection of works which (in addition to belonging to a predefined intermedia and media formats) reflect upon the phenomenon of memory as an issue highlighted especially in the art of the new millennium. To some extent, this is related to moving away from articulating themes (especially neo-conceptualism) through a rather universalist model, and vice versa \u2013 an inclination to individual languages, the nuances of which determine the themes based on local (Slovak) context.<\/p>\n<div class=\"shc_mybox\"><p><\/p>\n<p style=\"text-align: justify;\">The preoccupation with memory (personal, historical, collective) and its embodiment in a way that can be identified as the author&#8217;s style (considering that such form of communication was quite rare in the nineties) is documented through the installation by Juraj Bartusz, who then made a number of works dedicated to reflecting on his past experience. A more evident (more personalized) attitude towards a certain historical experience (as the impetus for the so-called historical memory) is presented by the video object of Anton \u010cierny. Both artworks \u2013 one over a decade younger than the other \u2013 demonstrate not only the presence of this theme in the nineties (Juraj Bartusz), but also a different strategy of its interpretation during the next decade (Anton \u010cierny). In addition to the educator-student relation (Juraj Bartusz \u2013 Anton \u010cierny), both artists shaped their work by their interest in a certain socio-historical context, obtained through collective, but also personal perspective. The works of Ilona N\u00e9meth, particularly the ones created during the last decade, utilize a similar approach. Like Bartusz and \u010cierny, N\u00e9meth comments upon the (dys)functionality of a collective memory, especially through her works dealing with the situation of minorities (now and then) or territoriality. Her object from the nineties that presents memory as part of the corporal factor in art is, symbolically speaking, a memory archive referring to individual but unknown persons.<\/p>\n<p style=\"text-align: justify;\">The works of Roman Ond\u00e1k, Peter R\u00f3nai, and Stano Mas\u00e1r cover the leitmotif of information associated with the consideration of the possibilities of its symbolic and real storage (the installation by Roman Ond\u00e1k), its transcription, or the handling of it as an archiving unit, and possibly also as a means to create memory traces. In the works of Stano Mas\u00e1r and Peter R\u00f3nai, the information contains visual art itself, becoming a subject matter of reflecting on the artistic operation, its nature and penetration into everyday life, as well as criticising its mechanisms.<\/p>\n<p><\/p><input class=\"shc_Ok\" name=\"shc_Ok\" type=\"button\" value=\"Readmore...\"\/><\/div>\n<hr \/>\n<h2>Exhibition<\/h2>\n<p><div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-d7b4ab5ke6\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"3\"><div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/marschieren-marsch-1993\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Bartusz2-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/marschieren-marsch-1993\/\" class=\"_self\" target=\"_self\" >Juraj Bartusz &#8211; Marschieren marsch!, 1993<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/hostiaza-jozefa-t-2006\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/TonoCierny-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/hostiaza-jozefa-t-2006\/\" class=\"_self\" target=\"_self\" >Anton \u010cierny &#8211; The Holy Communion\/For Jozef T., 2006<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/stlp-1995\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Cierny_Nemeth-1-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/stlp-1995\/\" class=\"_self\" target=\"_self\" >Ilona N\u00e9meth &#8211; Column, 1995<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/kunstvhale-1972-2014\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Koller_Ondak-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Koller_Ondak-300x200.jpg 300w, https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Koller_Ondak-768x512.jpg 768w, https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Koller_Ondak.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/kunstvhale-1972-2014\/\" class=\"_self\" target=\"_self\" >Peter R\u00f3nai &#8211; KUNSTvHALE, 1972 &#8211; 2014, 1972 \u2013 2014<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/zazracne-dieta-1993\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Ondak_3b-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" srcset=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Ondak_3b-300x200.jpg 300w, https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Ondak_3b-768x512.jpg 768w, https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Ondak_3b.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/zazracne-dieta-1993\/\" class=\"_self\" target=\"_self\" >Roman Ond\u00e1k &#8211; Infant Prodigy, 1993<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/slovenske-vytvarne-umenie-20-storocia-2005\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/tabulky-dejiny-umenia-SK-sk.popisky-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/slovenske-vytvarne-umenie-20-storocia-2005\/\" class=\"_self\" target=\"_self\" >Stano Mas\u00e1r &#8211; Slovak Visual Art of the 20th Century, 2005<\/a><\/h4><\/div><\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/muzeumintermedii.sk\/en\/zbludile-umenie-2009\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Fragile2-300x200.jpg\" class=\"pt-cv-thumbnail\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/zbludile-umenie-2009\/\" class=\"_self\" target=\"_self\" >Stano Mas\u00e1r &#8211; Stray Art, 2009<\/a><\/h4><\/div><\/div><\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p>The First Museum of Intermedia II (2017 \u2013 2021) Between information and memory Authors of works: Juraj Bartusz Anton \u010cierny Ilona N\u00e9meth Roman Ond\u00e1k Peter R\u00f3nai Stano Mas\u00e1r Exhibition concept&#8230; <span class=\"more-link\"><a href=\"https:\/\/muzeumintermedii.sk\/en\/prve-muzeum-intermedii-ii\/\">\u010c\u00edta\u0165 viac<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":24,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":31,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":896,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/15\/revisions\/896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/media\/24"}],"wp:attachment":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}