\nVersions of neo-conceptual art, gender, and corporality<\/p>\n
Authors of works:<\/strong> Exhibition concept and curator<\/strong> The selection of works in the first (pilot) phase of The First Museum of Intermedia presents the typical elements of art with a core in the ninethies, their connection with the culminating eighties, as well as their continuity in the new millennium. The exposition was an “initiation” into intermedia art, highlighting the onset of media art (especially videoart) during the period. <\/p>\n In the nineties, the language of postmodern art manifests through the disappearance of borders between elite and mass culture, as well as through syncretic style. The presented works of Boris Ondrei\u010dka provide a typical example of these tendencies. The objects created by Laco Teren reflect one of the typically neo-conceptualist themes present in the nineties \u2013 the ambiguous attitude towards the world of consumer goods, but the use of an archetype (egg as a symbol of birth) is rooted in his earlier neo-expressionist paintings. Simona Bub\u00e1nov\u00e1 also utilized the iconographic elements of neo-expressionism, but the rendition of her object is closer to the forms of intermedia present in the nineties. The wall installation by Karol Pichler is a certain counterpart to these works, representing neo-conceptual art that stems from philosophical, religious or mystical teachings, upon which the author draws up a visual language based on cyphers and codes. <\/p><\/div><\/p>\n The First Museum of Intermedia I (2012 \u2013 2017) Versions of neo-conceptual art, gender, and corporality Authors of works: Simona Bub\u00e1nov\u00e1 Pavl\u00edna Fichta \u010cierna Denisa Lehock\u00e1 Karol Pichler Boris Ondrei\u010dka… \u010c\u00edta\u0165 viac<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":303,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":21,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":897,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/pages\/13\/revisions\/897"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/media\/303"}],"wp:attachment":[{"href":"https:\/\/muzeumintermedii.sk\/en\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSimona Bub\u00e1nov\u00e1
\nPavl\u00edna Fichta \u010cierna
\nDenisa Lehock\u00e1
\nKarol Pichler
\nBoris Ondrei\u010dka
\nLaco Teren
\nJozef \u0160ramka
\nJana \u017delibsk\u00e1<\/p>\n
\nMira Sikorov\u00e1-Puti\u0161ov\u00e1<\/p>\n
\nAnother line of the exhibition presents artworks created by female authors dealing with post-feminism and gender issues. They serve as revisions of radical feminism, despite the fact that it had no significant representation in our country (due to the artistic practice before 1989). These works are characterized by efforts to define a more structured identity of woman and gender. In addition to mapping privacy, the postfeminist themes deal with body image and distortion of sexuality taboo, usually taking on different forms of media art. Jana \u017delibsk\u00e1 started working with them in the nineties; her video installation based on shape and sound allusions reflects an attribute of femininity (breasts). The performance by Pavl\u00edna Fichta \u010cierna derives from a similar platform, providing an introspective reference of her corporality. Denisa Lehock\u00e1\u00b4s installation, grasping the intimacy of a couple as its dominant element, lets us peek into the author\u00b4s privacy. The work of Jozef \u0160ramka serves as a counterpart providing a male perspective on the issues established by the three female artworks.
\nThe secondary (albeit umbrella) theme of the exhibition is the emphasis on corporality as one of the themes of art after 1989. In addition to its interpretation along the lines of gender issues (Jana \u017delibsk\u00e1, Pavl\u00edna Fichta \u010cierna, Denisa Lehock\u00e1), it is also articulated by more vigorous expressive forms or with varying degrees of applying the language of metaphor or symbolic expression (Simona Bub\u00e1nov\u00e1 Laco Teren, Boris Ondrei\u010dka, Karol Pichler, Jozef \u0160ramka).<\/p>\n
\nExhibition<\/h2>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/SimonaBubanova1-300x200.jpg\")
<\/a>\nSimona Bub\u00e1nov\u00e1 – Peep Show, 1989<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Still0042-300x200.jpg\")
<\/a>\nPavl\u00edna Fichta \u010cierna – Arrangement, 2001<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/DSC_0073-300x200.jpg\")
<\/a>\nDenisa Lehock\u00e1 – Untitled, 1996<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Ondreicka1-300x200.jpg\")
<\/a>\nBoris Ondrei\u010dka – Putrefaction and Dew<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Pichler_detail-300x200.jpg\")
<\/a>\nKarol Pichler – Caelum, 1992<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/sramka-300x200.jpg\")
<\/a>\nJozef \u0160ramka – Bedroom Drawings I, 1989<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/CelkovyZaberMiestnost1b-300x200.jpg\")
<\/a>\nLaco Teren – Hatto, 1994<\/a><\/h4><\/div><\/div>\n
![\"\"](\"https:\/\/muzeumintermedii.sk\/wp-content\/uploads\/2017\/05\/Zelibska-300x200.jpg\")
<\/a>\nJana \u017delibsk\u00e1 – Concert for Cymbals and \u201cBreasts\u201d, 1993 – 1994<\/a><\/h4><\/div><\/div><\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"